#Final cut pro luts how to#

In this guide, you will find out how to install your LUTs in Final Cut Pro X (2 methods). This tutorial will show you how you can install and use LUTs straight onto your editing software. In case you are new to LUTs, LUTs are a quick and easy way to simplify the color grading process and help you get the best results for your work and better realise your vision.

#Final cut pro luts professional#

Either way, it still has plenty of professional features, but not as much as Premiere Pro or DaVinci Resolve.

#Final cut pro luts software#

Other software you can place videos where ever you like in the timeline, but Final Cut only allows you to add on the end of the previous shot. It's not widely as liked the way their timeline works as it's like a snap-on when you add videos. It also uses a different style of editing timeline than other editing software. Final Cut is a great video editing program, but it does have limitations.įinal Cut tends to be quite difficult to use.

#Final cut pro luts mac#

Many Apple users tend to lean towards this rather than Premiere Pro or DaVinci Resolve, although both of these software work on Mac too. You get crushed blacks and highlights on not perfectly shot footage and you can’t correct it afterwards in Color tab.Final Cut Pro X is Apple's native video editing app. This works with high-dynamic-range and wide-colour-gamut footage in real time, but is the same as before when you applied the LUT directly to clip. You can see that the blacks are no longer crushed and you have lots of details in them.Īs of version 10.1.2 of Final Cut Pro X you have an option to apply (in the Metadata settings view) a broadcast standard Rec.709 look up table to footage captured in log to cameras from ARRI, Blackmagic Design, Canon, and Sony. This option has it quirks (mostly regarding the rendering), but is in my opinion the best method for working with log material in Final Cut Pro X. So you can lift the blacks and/or lower the highlights before applying the LUT. The thing is now FCPX first applies the Color tab to the clip and only than the Effects that are on the Adjustment layer.

#Final cut pro luts download#

You can download the RT Adjustment Layer Title from the Ripple Training site and learn there how to install and use it. This is the trick I learned from great Steve Martin & Mark Spencer at Ripple Training. You can lift them but you would only be lifting the low part of histogram as it is and would not be getting any more information in the blacks.īut there is another way by using the Adjustment layer. Nick Shaw kindly corrected me on twitter that it is not concatenation but order of operations.Ĭrushed blacks. But this is not possible because FCPX first applies effects tab and only than Color tab and those two tabs or effects in the tabs are not able to concatenate. So you should lift the blacks and mids a bit and than apply the LUT effect. When you apply the LUT it crushes the blacks (cause the shot was underexposed). Footage was than imported to Final Cut Pro X. It was than converted to ProRes in Resolve with protect highlights option enabled. It was shot on Blackmagic Pocket Cinema Camera w/ SLR Magic Anamorphot 1.33 X – 50 lens and SLR Magic CINE II 35mm T1.4 taking lens in raw mode. This shot was shot underexposed to protect the highlights of the molten metal.

But sometimes you don’t have the time or you just have to shoot as light as possible and you have to judge the exposure with the help of build in histograms or zebras. The best way would be if you could set exposure on a monitor with LUT applied (like Odyssey 7Q) or use a light meter like Lumu (I’m having one on test at the moment and will write a review soon).

Log footage looks very flat and is as such difficult to determine correct exposure. But we all know that is easier said than done. That means that it can only be applied to the perfectly shot footage. When you apply LUT you are applying effect that most of the time crushes the blacks and/or highlights. The app first applies all the effects before it applies Color Grade under Color. You apply the plugin as any other plugin and it appears in the effects tab. The blog states using a plugin LUT Utility for applying LUTs to log footage. My NLE of choice is Final Cut Pro X and there is a problem with mentioned process in the blog post. Since I’m shooting S-LOG2 on Sony FS700 and in Film mode on Blackmagic Design Pocket Camera I deal with a lot of log footage. There is a great blog post on Abelcine about applying LUTs to log footage in various applications.